Tomorrow is Saturday and it is the day that my spouse’s (Aaron’s) cousin, Michael leaves us to return home to Canada. He hopes to be on the highway around 8:00 in the morning. He’s in no big hurry to return to his parent’s home for the remainder of this summer – he just wants to try his best to get away from the Washington, D.C., traffic before everyone else is travelling. I honestly appreciate his desire!
Author’s Note: Last summer, I published two posts here on “nudescapes” (nude + landscape or seascape). To visit those two, click on the title: Nudescape: A Collection or the second, Nudescapes: A Collection #2. This post is a continuation in this series.
The lens of a camera is, upon reflection, nothing more than a substitute for the canvas and brush of an artist. It is an image, captured in a precise moment in time, that conveys to us the viewer a message from either the artist or the photographer. It is up to us, the viewer (“beholder”) to accept the view and the message or to reject it. Photography, like any other work of art, depends upon the acceptance and appreciation of the viewer.
As my initial nudescapes (nude + landscape = nudescape) post last month seemed to be very popular and enjoyed by many, I’ve decided to repeat the theme again this month offering a different collection of photographs and text. In fact, I plan to make it a regular feature here on ReNude Pride but only during the summer months. There simply aren’t enough landscapes that are aesthetically pleasing to me for me to provide the series throughout the entire year. So, sit back and enjoy the view. In case you missed the prior post, click the following title to read: Nudescapes: A Collection.
A formal bare pose in a typical classical setting, or a classical bare pose in a typical formal setting? I suppose it is entirely up to the beholder to determine the title for this posting. Either way, it serves the purpose of highlighting the fact that yes, within the world of bare practitioners (naturists/nudists), there are an infinite number of poses and/or settings that can be considered “formal” or “classical” that has nothing whatsoever to do with the attire (what is or ins’t) adorning (concealing) the subject’s body.